Gerusalemme, 4 dicembre 2024 - Hania Soudah Sabbara, anche Direttrice della Rosary Music School di Gerusalemme, ci ha lasciato, fiume d'Amore. Hania è stata accanto a P. Armando Pierucci nella...
Pesaro, 4 October 2024 - On Friday 4 October 2024, the feast of Saint Francis, at 9 pm, in the church of St. Giovanni in Pesaro (I), the first performance of the "Four tales from Maria Valtorta"...
Vatican City, December 16, 2024 - The Laus Plena Foundation met with the Prefect of the Vatican Apostolic Library, Don Mauro Mantovani, and his team, with a view to relaunching the VAL Byzantine...
Pesaro - 21 dicembre 2024, ore 17 - ll Mattutino sarà nuovamente eseguito il 21 dicembre 2024 a Pesaro, nella Chiesa di San Giovanni Battista, alle ore 17, nell'ambito del...
Rovigo, 15-17 October 2024 - Raffaele Deluca, professor of musicological disciplines and scientific director of the Library of the Rovigo Conservatory of Music, welcomed the Syriac...
Athens - 1-5 July 2024 - The Department of Music Studies, School of Philosophy, National and Kapodistrian University of Athens, will organise an International Conference on Byzantine...
A project for social development in the Christian towns of the Ninive Plains, Iraq, also helping to support the transmission of the ancient Syriac Christian sacred chant tradition...
6 Variazioni (per Organo) su Regina Caeli di A. Pierucci - Un lavoro realizzato poco prima della Pasqua 2023, dedicato a Sr. Maria Cecilia Manelli, organista allora...
has an essentially cultural scope. It aims at cooperating with secular and ecclesiastical institutions and experts, fostering cultural, artistic, scientific, study and research synergies. Its purpose is to raise awareness, encourage and convene those who wish to work in the various contexts in which Christian sacred music resounds: sacred chant in all its dimensions, but especially in its elements of praise and prayer, encouraging the singing of the congregation. Its action focuses on three directions: collecting the heritage of sacred music of all Christian Churches, especially the Eastern ones, remained closer to the Christian origins; the support for its study and transmission; and the encouragement to a careful and dignified performance.
The authors reveal to us that the praise sung by the first Christian communities was one of their distinctive features, and that it was expressed with great fervour and strength. With the expansion of Christianity, sacred music became more sophisticated, and was increasingly in the hands of the clergy and specialists. The singing of the Assembly was often largely entrusted to a group of singers, to choirs or to deacons.
Digitalizzazione e studio dei manoscritti musicali bizantini conservati presso la Biblioteca Apostolica Vaticana (BAV)
Nel 2016, la FLP ha firmato un contratto con la...
Conferenze Musicologiche
Nell'ottobre 2020, la Fondazione Laus Plena organizza a Ginevra con la Haute Ecole de Musique di Ginevra (HEM) una Conferenza Musicologica sulla...
Poles Gajuo carried out for the first time a transcription and a comparative study between the chants and melodies of Holy Week of the three Syriac Catholic sub-traditions of Iraq, reaching very...
The Coptic music is of Egyptian origin. Coptic music has Pharaonic roots, but is not solely Pharaonic. Coptic music enjoys specific characteristics which distinguish it from other Arabic music or...
The various Christian Churches are first and foremost the expression of the cultural diversity of the populations that have assimilated Christianity. This also included the relative musical traditions, then resumed in the sacred music of the Churches. We present the various Christian Churches through a series of short texts and documentaries.
Donations on bank account at UBS Switzerland AG in the name of: Fondazione Laus Plena, Lugano.
The Foundation issues certificates of donation for tax deduction purposes.
Bank details. See below.